IAMA Art Museum in San Francisco

                            TIMELESS ART COLLECTION

In his art, H.H. Dorje Chang Buddha III has indeed assimilated the essence of traditional Chinese painting. Not only has His Holiness learned from the painting traditions of Song, Yuan, Ming, and Qing Dynasty scholars, His Holiness has also easily mastered the grand and vigorous style of pre-Song Dynasty painting. Yet, H.H. Dorje Chang Buddha III has not merely emulated the techniques of any one painter or any one school. His Holiness has learned from ancient artistry and has also learned from nature. Combining the two, His Holiness has created a novel and unique style of his own. From a careful examination of paintings by H.H. Dorje Chang Buddha III, it is not difficult to see the legacy of tradition and the spirit of originality.

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H.H.第三世多杰羌佛的繪畫藝術，從中國傳統繪畫中吸取了豐富的真髓，他不僅只求宋、元、明、清的文人化傳統，還信手拿捏宋代以前那種雄奇壯觀，大氣清韻的法度，但又決非以某家某派之舊徑而學筆，師古筆墨，並師造化，融匯新意，自成一體，以獨創特有的藝術成就自成一家，獨領風騷。仔細研究H.H.第三世多杰羌佛的繪畫藝術，不難發現傳統墨緣和品類，變法創新之神髓，比起前輩畫家的作品，是有過之而無不及的。